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Download ENSONIQ ASR-10 Musician's Manual.Ensoniq asr 10 manual download
Table of Contents. Previous Page. Next Page. The ASR also has the ability to resample sounds with effects in real time. For example: add reverb to a drum sample, resample it, then reuse the effects processor to further color your music.
Note: If you wish to record the Enjoy the music! Page 5 Power Insert the line cord into the line receptacle on the back of the ASR 2 , next to the power switch 1. Plug the other end of the cable into a grounded AC outlet. Page 7 For listening through headphones, plug the phones into the rear panel jack marked Phones. Page 9 We recommend that you use the copied O. If your O. These disks offer the largest, most accurate, responsive, and musical sampled sounds available anywhere.
Page 12 The following magazines offer many specific articles and columns that can provide a plethora of useful information. This will prevent unexpected behaviour. Remember that the Foot Switch jack is optimized for use with a dual foot switch SW , and when a single foot switch is connected, it behaves like the Right Foot Switch.
The pedal gives you a handy alternative modulation source when, for example, you would want to use the Mod Wheel but both hands are busy. The Audio Inputs have 2 ranges: Line and Mic.
Sequencer Mode Indicator Three of the most important controllers are located to the left of the keyboard Pressure can be assigned to alter the pitch or volume of voices, filter cutoff frequency, LFO rate or depth, pan location, etc.
We highly recommend using this type of SIMMs. The alignment notch on the SIMM prevents it from being installed backwards. We do not recommend using parity SIMMs.
Page 30 4. When handling the SIMMs, avoid touching the connector pins. Try to handle the SIMMs by the edges only. Page 32 If you tell the ASR to load an instrument into a location that already has an instrument loaded left red LED lit , the new instrument will be loaded into that location and the one that was there will be automatically deleted. Page 33 About Banks Banks provide a way to load a whole group of instruments and sequences into the ASR with a few button presses.
The ASR will resume loading until completed, or until the point when it needs another disk. When you select an instrument, it is brought to the top of the pile. That is, you will hear the most recently selected instrument over its whole range when you play the keyboard. Page 37 Section 1 — Controls and Architecture If you select the piano, it will play over the whole keyboard, covering up the bass entirely: Piano Bass Now you select the bass.
This brings it to the top of the pile, and it covers up the piano, but only in the region where their ranges overlap the bottom two octaves : Bass Piano A song file contains a song and all its related sequences. Loading a song file from disk will completely erase the current contents of the ASR sequencer memory, replacing whatever is there with the song and sequences from the disk file.
Save the sequence to another disk or delete some files from the disk. Again, make sure the sequence is selected before trying to save it. Page 41 Once you have created a song or made changes to an existing one, you can save the song to a formatted ASR disk. This figure of 96dB is referred to as the system headroom. Since the ASR is capable of playing 31 notes of polyphony, this 96dB of system headroom must be divided amongst these 31 voices. If the output level of all sustaining voices exceeds 96dB, this will result in clipping.
Sustaining sounds can remain at their peak volume for as long as a key is held down. Each page is accessed by two button presses, the first being a Mode button and the second a Page button.
Most parameters will also have a Direct-Dial number. Page 45 Use this parameter to adjust the pitch bend range. The bend range is adjustable in one-semitone increments from 0 to Each ASR WaveSample can have its own bend range which will override the global bend range or can use this global bend range.
Page 47 Switch is permanently dedicated to function as the Sustain pedal. This mode is useful when you are only using a few instruments, and you are not concerned with setting up different channels for each device. Page 54 Use the Data Entry Slider and the Arrow buttons to give the disk a unique name by which you can identify that disk.
This is very important, as the ASR will ask you for this disk by name if an instrument or song on the disk is used in a bank. Also, make sure you write the Disk Label name on the outside of each disk after you are done formatting it.
The Operating System can only be copied to a blank disk, or a disk with or without sounds and Note: sequences that has an existing operating system on it. Page 56 Operating System in the disk drive. Page 57 both High Density disks or both Double Density disks. It is a good practice to regularly back up your valuable data — including the O. You can use either blank or formatted disks. These Sys-Ex messages can be saved to and loaded from disk. These labels are used to give each of your ASR disks a unique identity, thereby allowing banks to load from multiple disks.
Immediately afterward, the ASR begins copying the data from the source drive to the destination drive. Page 61 This allows you to select the device that you want to use to store the backup data. If you insert an unformatted disk or cartridge , the ASR will automatically format it.
If the disk is not blank, the ASR will erase the files on the disk before proceeding to copy files to it. As you insert each disk, be sure to write the disk number somewhere on the disk label.
Page 63 The ASR will restore the files one at a time. You will be prompted to insert each disk when necessary. Page 65 Macros allow you to do this. When you release the Load button, the ASR will go to the file that is assigned to the macro. If no file is assigned to the macro, the macro number will be displayed, and nothing else will happen. This format is used for all disk storage.
Page 70 Banks Banks provide a way to load a whole group of instruments and sequences into the ASR with a few button presses. When you load a Bank file, the ASR will ask by name for any disks it needs to load the files included in the Bank. This is why it is very important that you give each of your disks a unique name Disk Label ID and write that name on the disk itself. That is where Performance Presets come in.
When the LOAD indicator is lit but not flashing, the display is showing you the name s of the of instruments in the Internal Memory. For an overview of the concepts involved, refer to the previous section. Any of the 16 MIDI channels can be selected. Size is shown in Blocks. Keyboard ranges are very important in the creation of keyboard splits and layers. The ASR allows you to set the keyboard range in a very easy fashion.
Page 84 Use this command to save the current Bank. Banks provide a way to load a whole group of instruments and sequences into the ASR with a few button presses. If you want to give the bank a new name, do so at this time.
Repeat this procedure for each performance preset you want to create, selecting a new number from for each. This function is labeled on the front panel as Create Preset under the Command button.
What is more important, its functions are integrated with, rather than added onto, the rest of the sampler. The flexible bus routing scheme and the extensive real-time control give the ASR its dynamic effects capability.
Page 89 see the preceding discussion on effect types. Selecting a new effect will automatically set all of the effect parameters to their default values for the new effect. ROM Effects List Page 91 The complete effects setup, including the values of all effect parameters, is saved when you save an instrument.
It is also saved with each bank. The ASR is smart about switching effects, since all sound must stop for an instant when it changes effects.
The effect will load into the Bank effect location, replacing whatever effect was there previously. First, insert a disk containing one or more effect files into the disk drive.
A bus, like the bus of a mixing board, mixes together all the voices assigned to that bus into a single stereo pair. Of the Every voice is assigned to one of the four stereo busses, which go around or through the effects processing.
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